muffinlance:

caramel-ribbons:

I just watched Avatar for the first time all the way through, and yeah, it’s great, but the one thing that surprised me was how different Katara was compared to the fandom interpretation I’d seen and internalized before watching.

Like, before you watch Avatar, you’ve seen all these memes about Katara and her mom, and based on those memes, you assume it’s one of those lines you have to get used to hearing at least once every episode. But then you watch the show and realize that she only talks about her mom maybe five or six times per season and you also realize she only brings her up when she’s trying to comfort someone or empathize with them because that’s how she processes her grief and that’s one way she connects with people.

Or you hear the infamous line, “then you didn’t love [our mother] the way I did” and you prepare yourself for one of the worst character assassinations ever only to see the scene after nearly three seasons worth of context and realize she was kinda right. She’s been the mother, the nurturer, the comforter. She’s been patient, gentle, and accommodating where everyone else has gotten to be insensible and reckless and childish, and the one moment where she allows herself to feel her grief, suddenly she’s this evil bitch and not, y’know, a 14 year old girl whose been thrusted into adulthood in a way no other character has. A 14 year old girl who should be allowed immaturity and raw emotion and anger instead of the patience and grace she’s been forced to extend to every character without even the smallest amount of gratitude or even consideration in return.

Or you see all of the clips where Katara puts Aang in the “friendzone” and you expect to have this wishy washy back and forth where Aang is putting his feelings out there only to have Katara neither commit nor express any clear reciprocation or rejection. Then you watch and realize that, as cute as the ship is initially, that there’s never a point where Aang returns any comfort or grace to Katara despite her always doing this for him to the point of coddling. That for as much as Aang says he loves her, he never seems to outgrow his perception of her so he can recognize her as someone who feels grief, anger, and pain as much as she expresses love, kindness, and maturity. And instead of having moments where he learns to see her beyond her strength or compassion, you’re instead given moments where Aang forces his feelings onto her, both romantic and non-romantic, and Katara is expected to just…shoulder those feelings the way she shoulders everyone else’s.

Katara is the most misunderstood character in the show. As much as people recognize the complexities of Zuko, Sokka, and Azula, they struggle to do the same for Katara because they see her struggles as somehow lesser, and therefore, less deserving of sympathy. They can handle her so long as she’s being endlessly patient and loving and kind, but the moment her endless love, patience, and kindness runs out, she’s suddenly this annoying bitch who can’t shut up about her mother or reciprocate Aang’s feelings. But Katara’s trauma does matter as much as anyone else’s. No, she wasn’t banished from her kingdom. No, she didn’t lose her entire community, and no, she isn’t the only one who lost her mother. But the difference between her and everyone else whose experienced loss because of the Fire Nation is that she’s never given time to process her trauma. Aang gets to lean on Katara constantly. Toph gets to express her feelings to Katara, and yeah, Sokka also lost their mother, but unlike Katara, he isn’t put in the position of being a substitute for everyone’s parent. He even admits that he sees his sister as a mother. The only characters who ever comfort Katara or allow her to vent is Zuko and her father and that’s, like, three scenes in a show where the other characters are consistently given opportunities to seek out Katara for unconditional support.

The fandom interpretation of Katara has been so bastardized that even those who haven’t watched the show know her for this fanon version and not for who she is. She’s such a interesting character beyond her fandom limitations, though. She’s brave, hot-headed, and hopeful as well as gentle and caring. She wishes to learn waterbending, not only because she wants to fight in the war, but because she wants to continue her culture’s practices because, and people often forget this, she also lost an entire subculture within her already fractured tribe. And she wants to defeat the Fire Nation both because of her deep love and empathy for other people, but also because she wants to avenge her mother. But because some of the fans have reduced Katara to a bitch who constantly whines about her mother and friendzones Aang, you wouldn’t know any of this, and it sucks because she’s the only character whose been dumbed down to such an extent.

Sing it

Also going to add that she’s the only character who gets consistently hated on in my fanfiction when I allow her to have an internal life.

Salvage!Katara who’s fighting to restore bending culture to her people? Apparently a SJW, whiny, too mean to Zuko, and a few other select adjectives. Whereas Salvage!Sokka, also explicitly trying to relearn his culture and actively yelling at Zuko, was a sympathetic icon.

Little Zuko!Katara was a bitch for being scared on an enemy ship, and yelling at Little Zuko for telling her he was going to poison someone’s pet.

Don’t even get me started on Towards the Sun!Katara. People REALLY want her to get her comeuppance in the Northern Tribe arc, for the crime of… Continuing to be suspicious of Zuko. Zuko who just advocated for keeping the Earth Kingdom’s land and then started a civil war. From where she is sitting, HE IS PRETTY UNTRUSTWORTHY, FOLKS.

Let girls be angry 2023.

sincerelywhistler:

“How much time do we have left?”

You know when Brachium does that Demon voice thing? Yeah. More of that, please.

(Inside scoop: Hades (the Sovereigns, in this case) is the king of the underworld, and the infamous pomegranate of his story is popularly known as ‘the fruit of the dead’. The tale of Persephone and her ties to the underworld; Brachium’s unbreakable bond to the River of Death. Blake’s sword, in my mind, represents the Sword of Democles)

lustfulghosts:

anyways women having body hair is completely normal. armpit hair is normal. facial hair is normal. hairy toes are normal. that happy trail you’ve got going on there. it’s normal. <3

spookykestrel:

I think if I do nothing else on this earth than make people feel a little more loved in a time where they felt alone then ive served my purpose well

monschoices:

uh oh! he might like that old man

gettiregretti:

No one asked but I think the secret to making the enemies-to-lovers trip work is respect. They can loath each other, but they have to loath each other as equals. Like “sorry but no one else is allowed to murder this man but me” + “it’s an honor and privilege to despise you.”

dykemcqueen:

thinking about the phrase “kill in sustainable ways.” the fact that if you eat meat you should be comfortable with killing. the necessity of Death, Sustainably; the way a creature eats to nourish, and dies to nourish; the way it is kind to let an animal eat well and die quickly; the way you should use every part to make its death as valuable as possible.

thinking about lyctorhood and how john convinced them all it was not murder but a sacred, necessary act. you can see the thought process, you can see the way they reasoned: this will feed, this will heal, this will nourish forever. but a soul is not a body; a soul is not meat. it is not yours to take. it is not yours to feed on.

thinking about campal and their death, sustaining a new life, creating as MUCH new life as is possible from two deaths. and still pyrrha says it is not beautiful. it is not love. because you were there, and now you’re gone. you created someone new, and you are still gone.

thinking about gideon. she dies thinking: at least my death will matter. but to harrow, her death is not nearly anywhere as valuable as her life. and who better to know the value of death than a girl whose own power is fueled by it? harrow understands what the lyctors did not, what god cannot. eat me, says gideon, and harrow says no, no, no, you are not mine to swallow. keep your soul, i cannot stomach it. how can we be together when you are silent. how can i call it love if you are nowhere to be found.